Reviewed by Margaret Tomlinson
The
title, Tell Them of Battles, Kings and
Elephants, comes from a sentence by Kipling, suggesting the style
and subject of this novel about travel and the creative process. In the
early 1500s, the Turkish Sultan commissioned Michelangelo to design a bridge to
cross Constantinople's Golden Horn. It must have been a daunting project. Though
Michelangelo had gained fame for his David, he was still young, and a sculptor
and painter, not an architect. He was a devout Christian invited to
design a work in a Muslim city. And Leonardo da Vinci's previous design for
this same bridge had been rejected.
We
know of this episode in Michelangelo's career only from a handful of fragmentary
sources: two documents mentioning the Sultan's invitation, letters from
Michelangelo to his brother, Michelangelo's drawings of the Hagia Sophia mosque,
da Vinci's drawing of his bridge design, and Michelangelo's drawing of his own bridge
design.
Énard
takes his cue from the nature of the sources, constructing his novel in fragmentary
chapters the length of a paragraph, a page or two, several pages at most. He
dashes off vivid sketches of settings that, to Michelangelo, are exotic and
glorious ("Eighteen pillars of the most beautiful marble, serpentine tiles
and porphyry inlays, four perfect arches that bear a vertiginous dome");
of flavor and scent ("the beef with dates, the stewed eggplant, the fowl
with carob molasses"); of an androgynous dancer's thoughts ("I liked
the way you observed me when I sang. The precision of your eyes, the delicacy
of their desire."); and above all of the creative process, which involves so
much looking, absorbing, waiting, seesawing between confidence and fear of failure
("And, more than anything, he loved drawing, the black wound of the ink,
that caress scraping the grain of the paper.")
Tell Them of Battles, Kings and Elephants is a beautiful and haunting novel. (2010 in the original French, English translation 2018 by Charlotte Mandell; 144 pages including a Note on the history behind the novel)
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