Reviewed by Margaret Tomlinson
Readers opening Pawn in Frankincense, the fourth novel in the Lymond Chronicles, are halfway through the series and about to be plunged, along with Francis Crawford of Lymond, into a radically new environment. After devastating betrayals during an attack by the Turks on Malta, of both Lymond personally and the Knights of St. John, the story moves east into the Ottoman Empire itself and the court of Suleiman the Magnificent and his shrewd consort Roxelana in the early 1550s.
Readers may wonder whether the many plot twists in the first three novels have exhausted the potential for new twists to surprise, horrify and delight them. Au contraire. Here, Lymond must defeat the most thoroughly evil and frighteningly intelligent of all the antagonists he has faced before. And the Turkish setting unveils a totally new social structure which the European characters must navigate and adapt to. If the courts of Ottoman Turkey are no more brutally violent or ostentatiously glamorous as those of England and France, the unfamiliar cultural medium through which the violence and glamour is expressed adds a special dimension of terror and awe for both characters and readers. Characters secondary in earlier novels come into their own in Pawn in Frankincense, particularly Philippa Somerville, almost as important here as Lymond. New characters like the willful and mysterious Marthe take the story in unforeseeable directions.
Dunnett's outstanding gift is to paint a meticulously textured background of real historical events and circumstances, while creating within it such fully realized fictional characters that they lend weight and emotional power to history itself. The nations of Christian Europe, even as they warred among themselves, hated and feared the the Turks. Dunnett's story brings this fear alive in the particular fears of her characters, along with wrenching moral dilemmas that will make readers wonder what they would do in similar circumstances. (1969; 486 pages)
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