Reviewed by Margaret Tomlinson
Short
but deep, Lincoln in the Bardo uses a
real historical event, the death of President Lincoln's beloved son Willie, to
delve into the nature of grief, remorse and grace. The author collects and
arranges excerpts of contemporary accounts of Lincoln's presidency to
exceptional effect, particularly the varying, even contradictory descriptions of the
reception held in the White House in February of 1862 while Willie and his
younger brother Tad lay ill upstairs with what was probably typhoid fever. Most
of the novel, though, takes place in the Oak Hill Cemetery where Willie would
soon be interred, and where a cast of fictional dead characters refer to their
"sick-boxes," recall the accidents and illnesses which precipitated their
arrival in the cemetery, and fear the afterlife.
Although
the Tibetan word Bardo is not used or
explicitly defined in the course of the novel, most readers will quickly
understand the nature of the self-induced limbo in which the cemetery's
inhabitants find themselves. Bardo is the transitional state preceding rebirth in which, according to the beliefs of some Buddhists, the soul exists after death. Readers need not know
anything about Buddhism or believe anything in particular about an afterlife to
appreciate the novel's insights about mourning and life in general.
Perhaps the most remarkable thing about this novel is how playful it is, without in any way diminishing its respect for the grieving process, for the enormous tragedy of the Civil War, and for, to a parent, the heartbreaking tragedy of his child's death. Though Lincoln's point of view is not intimately developed until late in the novel, all that goes before lays the foundation for the deepening of his character through an acceptance of the mystery of suffering that Lincoln in the Bardo very credibly suggests made Lincoln into a wiser man and altered the course of American history. (2017, 368 pages)
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