Reviewed by Margaret Tomlinson
Set
mostly in Granada, Spain, Court of Lions
moves back and forth between the present and the reign of Ferdinand and
Isabella, with a special focus on the Alhambra, the magnificent palace of the
sultans of Granada for more than two centuries. There, present-day British
traveler Kate discovers "an old screw of paper" with odd writing on
it. Kate is no ordinary tourist. After two bad marriages, she is hiding out in
Spain, trying to recuperate while working for an obnoxious restaurant owner.
Meanwhile, in the fifteenth century, Blessings, a boy servant to Prince Abu
Abdullah Mohammed, is dealing with his own troubles: ill omens and a furious
outburst by the prince's mother, the sultana, which sets in motion a series of
heart-wrenching events.
Abu
Abdullah Mohammed was known as "Boabdil" to the Spaniards who claimed
his kingdom and drove both the Moors and the Jews from Spain around the same
time they funded Columbus's voyage to the New World. This last Moorish ruler,
who lost his kingdom to a Spain that would become infamous for its religious
persecutions, is an especially romantic figure in the eyes of his adoring
servant.
Novels that cross centuries are usually held together by a fantasy or occult device such as time travel or reincarnation. In Court of Lions, only the Alhambra, along with a handful of artifacts from fifteenth-century Granada that survive for Kate to find, tie the two settings clearly together, although echoes between the stories of Kate and Blessings exist for thoughtful readers to consider. Strong suspense throughout will keep most readers turning the pages, even if the two stories are not as firmly knitted together as in the typical time-crossing novel. And if Boabdil's end is tragic, the romance-tinged finale of Kate's story offers enough of a happy ending to satisfy readers who need one. (2018; 397 pages, including an Author's Note and bibliography)
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