Reviewed by Margaret Tomlinson
Circe is about the the semi-divine
nymph who delayed Odysseus's return from the Trojan War. In Homer's Odyssey, she is enticing and malicious, a
host who transforms Odysseus's crew to swine, and then detains Odysseus on her
isle for a year of empty pleasures. In the novel, other tales are folded in to
create a richly satisfying story of a sympathetic, though hardly flawless, feminist
figure.
Circe
is the daughter of the Titan sun god Helios, a being whose "flesh was hot
as a brazier," so that the child Circe "pressed as close as he would
let me, like a lizard to noonday rocks." He is also stupendously narcissistic,
devoid of love or compassion. His punishment of Prometheus, a sort of appetizer
before the famous one commanded by Zeus, horrifies and mesmerizes Circe, awakening
a spark of compassion in her. Instead of blood, the ichor of divinity flows from
Prometheus's wounds, a sort of liquid gold with a smell "thick as
honey." Circe will soon have other emotions: she falls in love, feels jealous,
wants revenge. And before long, she, too, must be punished for disobedience. With
her exile, to an isle where she is the sole inhabitant, comes a lonely sort of
freedom; within that circumscribed semi-paradise, she is an absolute ruler. And,
occasionally, visitors step onto her shores to make life interesting.
In myth and legend, characters are archetypes whose emotional power depends on simplicity. In this novel, the central characters are complex. Their emotional power is drawn from the interweaving of often-contradictory desires and motivations that make them both believable and fascinating, people capable of surprising us, of growing. At the same time, they remain true to the archtypal nature of the stories that inspired them, even if those archetypes show us different faces. Homer once brought these old myths alive in ways that, in his time, offered new and surprising insights. Miller does the same. Circe is a wonder of a novel. (2018; 393 pages, including a "Cast of Characters" orienting readers to the traditions of classical Greek myth)
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