Reviewed by Margaret Tomlinson
The Buried Giant is set in Britain in
the mysterious time a few decades after King Arthur's death. It's the perfect
setting for an exploration of how memories fade and resurface and how we feel
about them.
Axl
and Beatrice are an old couple who vaguely recall a son who left them to live
elsewhere. In their village, a warren of half-underground dwellings, faltering
as their memories may be, they have a better grasp on even the recent past than
their neighbors. When a strange woman arrives with whom Beatrice risks speaking,
her never-completely submerged wish to visit their son surges back. She and Axl
set out to find him. As they journey, their desire to dispel the mist of forgetfulness―said
to be the breath of a dragon―that has spread across the land becomes as important
as their search for their son.
Along
the way, they meet sinister pixies and ravening, misshapen beasts. They meet a
Saxon warrior who thinks Axl looks like a man he once admired. They meet an
elderly Briton encased in armor. They spend time with a community of quarreling
monks. The way Axl and Beatrice begin piecing together the story of their past
gives their tale the gripping quality of a mystery, and their less and less
half-hearted quest to find the cause of the mist of forgetfulness and sweep it
away gives their journey an ever-strengthening momentum.
"Is it not better," a monk asks them, "some things remain hidden from our minds?" But Beatrice wants her memories. She answers, "We'll have the bad ones come back too, even if they make us weep or shake with anger. For isn't it the life we've shared?" As glimmers of sad or infuriating memories begin to emerge, though, she feels less confident. Does love―always the highest value in this dreamy novel―sometimes depend on forgetting? (2015, 317 pages)
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