Reviewed by Margaret Tomlinson
Based on an obscure French legend, The Angel and the Sword is a consistently suspenseful tale of a young woman who, disguised as a man, inspires the warriors of King Charles the Bald to defeat a group of Viking invaders besieging Paris in the year 861. Fictional characters mingle with the historical, all portrayed with a vividness that makes them spring off the pages.
Charles, who inherited a fraction of his grandfather Charlemagne's kingdom, rules his much-diminished realm from Paris, a shabby settlement on a riverbank vulnerable to Viking invasions. John Scot Eriugena, the Irish-born philosopher who is translating theological works from Greek into Latin for Charles, is brilliant and kind, with a gentle sense of humor. The Spanish princess Ragny, with a compelling reason to flee her father's court in boy's clothing, is a straightforward, practical thinker. Her naive piety carries her courageously in and out of danger with a particularly medieval flair. Battle scenes are tense, bloody and almost tactile as the characters face the violence of their world with fear, rage, exhilaration, exhaustion - the broad range of emotions soldiers experienced in a time when warfare was a constant, looming presence.
A central theme is the contrast between the instinctively worshipful form of prayer Ragny learned in childhood and the orthodox form taught by the monk Deodatus, echoed by the very different theological perspectives of the historical John, whose works went in and out of style over the centuries and were sometimes considered heretical, and Deodatus, whose approach to religion may remind readers of modern right-wing fundamentalists. As in Holland's other novels, history is reflected not only in the details of the characters' physical world but also in their inner psychological landscapes. The Angel and the Sword includes supernatural elements similar to those in Holland's more recent "Soul Thief" series, reflecting belief patterns true to the novel's setting and seamlessly integrated into a story of gritty realism. (2000, 304 pages)
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